Britomart is proud to present new poetry all over the precinct to celebrate the Auckland Writers Festival Waituhi o Tāmaki, rendered in posters by Inhouse Design. The posters are presented as text fragments, but you can read each work in full here on our website. This one is A Missionary Falls in Love with a Coloniser by Takunda Muzvondiwa.
A Missionary Falls in Love with a Coloniser
The year is 1888
In the Republic of Zimbabwe
Where a missionary
Falls in love with a coloniser
So, they bind themselves in holy matrimony
Vowing to evangelise a colonial testimony
To leave this motherland baptised neck-deep in holy water
And I wonder
If their first daughter is
Black
Queer
And Christian
What values will they teach her to stand on?
Which parts of herself will they teach her to spit damnation on?
And they say love is blind
So when this little girl
Decides to paint on the walls for the first time
I imagine they’ll make a woman out of her
Tell her
Get on her knees and getting to scrubbing
Tell her to turn all that Picasso into peroxide
Erase all that colour
Until those four walls fence looks like milk
And I suppose it’s funny
How white reflects all colours
Scattering them to places they can no longer be seen
Be remembered
While black absorbs all colours
Like they are something to be held close
To be ashamed of
To be afraid of
Because when you are made a target for both who you love
And where you come from
The body
Turns into a minefield of dichotomies
How can you learn to love your body
When it is housing something so desperate to kill you?
For Queer Black girls
Whose Blackness
Has grown so dark it is the very thing that haunts them
We suckle on prayers now
Cry hallowed be His name
And hollowed be our souls
Reaching arms to a Father in heaven
Knees broken over the altar while we pray to be altered
Hailing to a white Saviour
Blue-eyed and fair-skinned
He preaches sculpt a temple from body
We were racialised and it was legitimised
By a white man’s self-glorifying gospel
Before God, these arms lift themselves on high
What do Black hands know
But to be raised in the air?
Be it on the cross
Or the borders of Matebele
We have always so peaceful in our surrender
Before being
Captured and conquered
If Jesus had two fathers
And we are made in His image
Will they crucify us too?
Hang us up like billboards
And call it renaissance art
Because making profits off Black livelihoods is a historical pastime
We are tired of hacking off pieces of ourselves
To give to you like communion bread
Black
Queer
And Christian
We are tired of building bodies into apologies
Binding bibles in our skin
Breathing incense and coughing up our spines
All marrow and cartilage
Used to build these pews
Our christenings begin in the womb
So when a coloniser falls in love with a missionary
And their children are birthed from rupturing waters
It’s no wonder
The original values of the motherland start drowning
Belief systems abandoned in ruin
Now the riches of Zimbabwe
That once belonged in the hands of a black pot
Lay shipwrecked somewhere
Beyond a rainbow
There is a lot of power in spoken word, and even more so coming through the lived experience of young creative, Takunda Muzvondiwa. Takunda is a performance artist, speaker and poet from Zimbabwe, Southern Afrika. Coming from a theatre and musical background, she combines voice, drama and movement to tell stories of the heart, of her motherland and offer social commentary. Through spoken word, Takunda expresses the importance of identity and culture as a tool for both self-empowerment for strengthening communities. Belonging to various global communities, in a similar nature to her social identities her artistry is an intersection of both art and activism.